Robert Graves first published this autobiographical work in 1929,when he was thirty-four years old. What we generally encounter today, however, is the revised edition he published in 1957. The new edition does not extend the story of his life past 1929, except for a three page 'Epilogue'. In a 'Prologue' dated 1957 Graves indicates that he revised the original substantially, improving the writing, correcting errors, adding more anecdotes, and restoring proper names 'where their original disguise is no longer necessary'. There are some, however, who regret what they see as the partial loss of the ragged power and anger of the original version, and Graves made deletions as well as additions. Notably, Laura Rider, the American poet, who was his partner and collaborator from 1926 to 1939, has disappeared entirely from the 1957 version.
The Penguin copy I read has a painting of World War I battlefield desolation on its cover, and GTAT is best remembered for its powerful and vivid portrayal of the Western Front, to which Graves went as a teenage officer in 1915, and where he served until wounded about half way through the War. Our view today of what trench warfare was like probably owes a great deal to Graves's account, the work of a masterly prose writer who describes his experiences in for the most part remarkably objective and dispassionate terms. Graves became passionately opposed to the war, and he suffered severe depression and other traumas in the years following it, but there is a strong matter-of-fact quality to his description of the horrors. The book was hailed as a vivid account when it appeared a decade after the war's end, and it sold very well, though some 'patriots' condemned it roundly for its unheroic portrayal of the conflict. (Its descriptions of people encountered also lost Graves some of the friends he had not entirely alienated during the years before 1929, notably his fellow poet and officer, Siegfried Sassoon.)
The book is not entirely devoted to the War, however. A significant portion describes Graves's schoolboy life at one of the leading English 'public schools', Charterhouse, which he hated. A major part also describes his experiences as a young married man with a growing family and limited resources in postwar England. Name-dropping does figure rather prominently here, though as many of the names are those of major writers of the period, the section is not as dull as it might be. But it is less interesting and far less powerful than what has gone before.
Graves's background could be described as 'upper middle class', and he had aristocratic connections, particularly in Germany, which he visited several times as a child. His perspective remains that of someone from an educated middle class background, even though he rejects many of the values of that background and embraces a kind of socialism, at least for a time. He may be in part ironic when he tells us in his epilogue that during World War II he was not prepared to travel third class in a train along with people such as a common policeman, insisting on the first class to which his status as an officer on the pensioned list entitled him, but his saying 'Goodbye to all that' before leaving England to go to live in Majorca was by no means a total rejection of his background. Herein, perhaps, lies a major part of the book's success: Graves describes the upper middle class English world of the early twenty century as someone who understands it intimately, shares many of its values, but also sees many of its limitations.
Half of a Yellow Sun by Chimamanda Ngozi Adichie

The novel, "Half of a Yellow Sun" is based around the Nigerian-Biafran War 1967-70 and as such is a fascinating telling of the conflict from a Biafran/Igbo point of view. I found it very moving to be reminded so lucidly about these tragic events of such a short time ago. In a note about the book, the author tells of her father's stories about the war and the fact that he always ended his stories with the phrase "war is very ugly". This book re-inforces that truth very convincingly. So there is a lot about human suffering but it is told always with graceful prose and fine characterisation. What is more it is an exciting, pacy read - and even though told from the Biafran point of view it is certainly not simplistic and provides fascinating insights into recent history and this wealthy part of modern Africa - Nigeria. Also it is fair to say that the first approximately half of the events of the novel take place before the civil war starts and sets the scenery so well for us that when the conflict unfolds it is all that more sad because of what is cast aside with the conflict.
Having started off my comments about the conflict based part of the novel I would like to emphasise the fine style of the writing especially the liveliness of the personal stories throughout and the brilliance of the novels composition. This comes out particularly for me in the narrating style. It is not told in a first person style - the story is played out through the experiences of three main characters and several secondary and also important characters. You don't get the sense of one all-knowing-narrator telling you about whats going on either - the characters show it to you. The writer uses these three and other characters to carry the story along - in particular - Olanna , an female upper middle class Igbo academic , who marries a Igbo/Biafran academic and patriot; Ugwu - their houseboy who is undertaking self improvement and education as the action paced story goes along and Richard, an English journalist and lover of Olanna's twin sister, Kainene. Consequently it is a visually clear, easy flowing style of a novel - I think it is very well constructed. We as readers are watching and feeling the episodes unfolding as the characters experience and learn of them too. The fine personal stories and detail contribute greatly to the liveliness of the book.
There is such a lot to enjoy in this book - fast paced story-telling, humour, romance, sex , colourful background, and there is a lot to ponder. Along with this good read stuff there is the background of world politics as it affects the civilians sruggling to survive and protect each other from the ravages of a war fought all around them in villages and towns. I would recommend it from several points of view not the least of which is that the author is an exceptionally fine writer. She manages to deliver a complex story seemingly effortlessly.
Having started off my comments about the conflict based part of the novel I would like to emphasise the fine style of the writing especially the liveliness of the personal stories throughout and the brilliance of the novels composition. This comes out particularly for me in the narrating style. It is not told in a first person style - the story is played out through the experiences of three main characters and several secondary and also important characters. You don't get the sense of one all-knowing-narrator telling you about whats going on either - the characters show it to you. The writer uses these three and other characters to carry the story along - in particular - Olanna , an female upper middle class Igbo academic , who marries a Igbo/Biafran academic and patriot; Ugwu - their houseboy who is undertaking self improvement and education as the action paced story goes along and Richard, an English journalist and lover of Olanna's twin sister, Kainene. Consequently it is a visually clear, easy flowing style of a novel - I think it is very well constructed. We as readers are watching and feeling the episodes unfolding as the characters experience and learn of them too. The fine personal stories and detail contribute greatly to the liveliness of the book.
There is such a lot to enjoy in this book - fast paced story-telling, humour, romance, sex , colourful background, and there is a lot to ponder. Along with this good read stuff there is the background of world politics as it affects the civilians sruggling to survive and protect each other from the ravages of a war fought all around them in villages and towns. I would recommend it from several points of view not the least of which is that the author is an exceptionally fine writer. She manages to deliver a complex story seemingly effortlessly.
August is shared short review month
In the last month or so I read two recent Australian biographies which bring to life some fascinating aspects of Austalian social life and history.
1." Joan in India" by Suzanne Falkiner - This biography is about a relative (Joan) of the author who married an Indian Prince in 1939/40 . Joan was a member of the wealthy grazier socialite family and left Melboune by boat to go to india and marry her Prince. It was a big cause for gossip and amazement in Melbourne of the day. Joan was a beautiful - her Prince was Indian, Muslim , quite a bit older than her and had one other wife. The marriage was apparently successful. The book is well researched and gives the reader a wealth of fascinating information about the politics of India including Independence and partition. Well worth reading, strongly written and not at all salacious.
2. "An Exacting Heart : the story of Hephzibar Menuhin" by Jacqueline Kent. This book tells us about the life of the beautiful Hephzibar - fine concert pianist and sister of the renowned Yehudi Menuhin. Hephzibar married into the wealthy Nicholas family of Melbourne (Aspro fortune) as did Yehudi in late 1930s- brother and sister married brother and sister. Hephzibar came to live on a property outside Melboune and threw herself energetically into her new life which was so different from her European experience. An amazing woman from an incredibly talented family - she performed concerts for the ABC as well as threw herself into the life of countryside. Her life in Australia and after she left and remarried is engrossing and very well told.
I would recommend the above to any lover of well written biographies and current social history.
Please tell us a good book you have read lately.
Faye Lawrence
1." Joan in India" by Suzanne Falkiner - This biography is about a relative (Joan) of the author who married an Indian Prince in 1939/40 . Joan was a member of the wealthy grazier socialite family and left Melboune by boat to go to india and marry her Prince. It was a big cause for gossip and amazement in Melbourne of the day. Joan was a beautiful - her Prince was Indian, Muslim , quite a bit older than her and had one other wife. The marriage was apparently successful. The book is well researched and gives the reader a wealth of fascinating information about the politics of India including Independence and partition. Well worth reading, strongly written and not at all salacious.
2. "An Exacting Heart : the story of Hephzibar Menuhin" by Jacqueline Kent. This book tells us about the life of the beautiful Hephzibar - fine concert pianist and sister of the renowned Yehudi Menuhin. Hephzibar married into the wealthy Nicholas family of Melbourne (Aspro fortune) as did Yehudi in late 1930s- brother and sister married brother and sister. Hephzibar came to live on a property outside Melboune and threw herself energetically into her new life which was so different from her European experience. An amazing woman from an incredibly talented family - she performed concerts for the ABC as well as threw herself into the life of countryside. Her life in Australia and after she left and remarried is engrossing and very well told.
I would recommend the above to any lover of well written biographies and current social history.
Please tell us a good book you have read lately.
Faye Lawrence
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